In Sottosopra the use of different olfactory geometries, lively and spicy, but also watery and rarified, distorts the perception and leaves space to a disorienting void, an apparently absent, an oniric dimension that attracts you to float freely in it. The warm bottom notes are so welcoming that they draw selfconfidence, they add substance and outline a safe port. That’s a homey olfactory place which arouses reassuring, protective sensations where you can loosen up.